Decolonial Subject

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House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. The walls combine masonry and wood, and the roof is made of galvanized metal with a cornice below the parapet. The upper level features a continuous L-shaped wooden balcony with a stylized curve that connects both main facades. A wooden balustrade, columns reinforced with metal brackets supporting the roof, and five double-leaf wooden doors with lattice panels topped with an elaborate cornice and brackets, are visible. The ground floor features commercial entrances, while the upper level is used for residential purposes and has independent access via an internal staircase, visible on the far left. The doors on the first level have solid wood planks, enhanced by a simple open transom with curved wrought iron details. To the right of the building, almost hidden by an iron fence across the street, a wider wooden gate can be seen, formerly used as an entrance for old-fashioned carriages. A chain-link fence with barbed wire protects the land behind the house. The urban setting includes trees, a lamppost with a lantern, and cars parked on the street. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates from the early 20th Century. By 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere manner, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. Beginning in 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party, participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader, faced resistance from the police under orders of then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The House of the Massacre was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. The walls combine masonry and wood, and the roof is made of galvanized metal with a cornice below the parapet. The upper level features a continuous L-shaped wooden balcony with a stylized curve that connects both main facades. A wooden balustrade, columns reinforced with metal brackets supporting the roof, and five double-leaf wooden doors with lattice panels topped with an elaborate cornice and brackets, are visible. The ground floor features commercial entrances, while the upper level is used for residential purposes and has independent access via an internal staircase, visible on the far left. The doors on the first level have solid wood planks, enhanced by a simple open transom with curved wrought iron details. The back corner of the first level has a wide wooden door that was used as an entrance for old carriages. The setting is urban, with trees and cars parked on the street. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates back to the early 20th Century. In 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere manner, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. From 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader faced resistance from police under orders from then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The House of the Massacre in Ponce was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00002

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00002



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Parque de Bombas of Ponce distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the lateral facade of the cathedral has buttress, windows covered with storm shutters and a continuous entablature on which rests a low parapet. In addition, there are two spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided with balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, they are flanked with pairs of fluted columns that support the entablatures. The following tower sections are hexagonal and are decorated with cornices, moldings, friezes with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular opening lanterns and crosses. On the surroundings you can also distinguish parked vehicles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00002



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the façade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, a flagpole, grass, and a traffic sign can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

House of the Massacre in Ponce - 05001098

House of the Massacre in Ponce - 05001098



Oblique view of the building known as the House of the Massacre in Ponce. It is a two-story building with a masonry base and a Creole vernacular architecture style. On the second floor, there is a gallery enclosed with wooden latticework and small glass windows above. A roofed balcony, with a wooden baluster railing supported by spiral metal brackets and wooden beams, protrudes from the building. The balcony has two wooden double-leaf doors with lattice panels, topped with an elaborate cornice and brackets. On the ground floor, there are three doorways: two rectangular with wooden doors, enhanced by a simple open transom with curved wrought iron details, and one arched with a metal grille, which serves as the entrance to the building's interior staircase. On the rear wall, there is an oval window with a decorative wrought iron grille. The lower wall combines masonry with a top finish of horizontal wooden slats below the gallery. The immediate surroundings include tall trees and vegetation. The historical archives of the Municipality of Ponce confirm the existence of a residential building at that location since 1886; however, the existing property dates from the early 20th Century. In 1906, the owners hired the services of civil engineer Blas Silva to design their new residence, and although the final project was never executed, most of his ideas were implemented in a more austere form, giving the property the appearance it would have had in 1910, when the renovations to the 19th-century residence were completed. Beginning in 1926, the building served as the headquarters of the Ponce Nationalist Club and was closely linked to the events of March 21, 1937, known as the Ponce Massacre. On that day, members and supporters of the Puerto Rican Nationalist Party (PNP) participating in a parade commemorating the abolition of slavery and protesting the imprisonment of their leader faced resistance from police under orders from then-Governor Blanton Winship, resulting in 19 deaths and around 200 injuries. The Massacre House was the rallying point for the participants and remained etched in the collective memory as a symbol of this tragic episode. In 1987, through Joint Resolution 2951 of the Legislature, the corner where the house is located was designated a Historic Zone. The house was then transferred to the Institute of Puerto Rican Culture, later becoming the Massacre Museum.

Hacienda Labadie

Hacienda Labadie



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Architectural drawing of the two-story building main facade built with forfeited concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with five modules galleries on the first and second floor, a stair that gives access to the middle module. It has Ionic order columns and railings with greatly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor, it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. Two identical square towers flank the middle portion of the facade. Their roofs are two onion domes with evident French influence. There are two cornices that surrounds each floor. Above the second floor cornice there is a parapet with ornate frieze with circles and rectangles. On the roof there are three dormer windows with gable roofs. Behind the dormer windows there is a hipped roof ridge. It is a construction on a podium that has naked pilasters and oculus. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.

Parque de Bombas - Ponce - 2014 00005

Parque de Bombas - Ponce - 2014 00005



Front view of the old Parque de Bombas located on Plaza Las Delicias from the coastal city of Ponce. The building has two floors made of wood with rectangular shape flanked by a tower on each side and a roof made of corrugated metal sheets. Its design has characteristics of the Moorish and Victorian Gothic styles from which it stand out the polychrome created with black and red stripes. On the first floor you can distinguish the garage supported by a columns where there are vintage vehicles and the border decorated with a lambrequin. On each far end you can see three-lobed openings framed with flat moldings. In addition, on the second floor you can distinguish rectangular windows framed with flat moldings and crowned with sunrise transoms. There are also sunrise transoms with different sizes and an inscription that says: "Parque de Bombas 1883". The towers are matched with a lambrequin that extends through the corbel. Similarly, it repeats on the tower borders. Aside from that, in the surroundings you can distinguish the Plaza Las Delicias decorated with light poles, benches and garden areas. Additionally, you can see the paved street being traveled by vehicles and the buildings that surrounds it. The old Parque de Bombas was built in 1882 as a central hall for a fair. It was officially designated as Parque de Bombas of the city of Ponce in 1885, housing the volunteer firefighters. Years later, in 1984 it was included in the National Register of Historic Places. Since 1990 it is used as a museum in honor and commemoration of the firefighters from the city of Ponce.

House on the Padre Aguilera Street, Corner of Kofresí Street - Mayagüez - 2012 00007

House on the Padre Aguilera Street, Corner of Kofresí Street - Mayagüez - 2012 00007



Main and lateral facade of a house on the Padre Aguilera street, corner of Kofresí street, located in the municipality of Mayagüez. This house is made of wood and is elevated on a podium. The main facade is characterized by a porch delimited with a balustrade flanked by pedestals on which paired columns rise. These columns are decorated with vertical white stripes and give support to a type of entablature. The porch doors have louvers and at least one of them has small glass panels. In addition, on this facade stands out a window that also has louvers or a type of aluminium persienne. The lateral facade is distinguished by a type of roofed terrace with a balustrade and columns elevated on pedestals. To access this side of the house there is a small gate that leads to a stair. The house section that is located on the Kofresí street is delimited by a fence built with a low wall with grilles interrupted by pillars. The surface of this house is painted yellow, orange and white. The house shows distinctive elements from the Vernacular architecture. On the surroundings of the house there is an automobile, a person, and the poles with electric wiring are notable, a sign with the street names and another sign with the following warning: "Prohibido tirar basura, escombros o cualquier tipo de desperdicios. Violadores serán procesados. $1000 multa máxima". On both sides you can also distinguish other houses painted blue, white and pink with similar characteristics.

Parque de Bombas - Ponce - 2014 00002

Parque de Bombas - Ponce - 2014 00002



Front view of the old Parque de Bombas located on Plaza Las Delicias from the coastal city of Ponce. The building has two floors made of wood with rectangular shape flanked by a tower on each side and a roof made of corrugated metal sheets. Its design has characteristics of the Moorish and Victorian Gothic styles from which it stand out the polychrome created with black and red stripes. On the first floor you can distinguish the garage supported with columns and the border decorated with a lambrequin. You can also see a three-lobed opening framed with flat moldings. In addition, on the second floor you can distinguish rectangular windows framed with flat moldings and crowned with sunrise transoms. There are also sunrise transoms with different sizes and an inscription that says: "Parque de Bombas 1883". The towers are matched with a lambrequin that extends through the corbel. Similarly, it repeats on the skylight border where you can also distinguish lattice style windows made of wood. Since the Parque de Bombas is attached to the rear part of the Catedral de Nuestra Señora de la Guadalupe you can distinguish its domes crowned with lanterns, the belfry towers and the fence that surrounds it. The old Parque de Bombas was built in 1882 as a central hall for a fair. It was officially designated as Parque de Bombas from the city of Ponce in 1885, housing the volunteer firefighters. Years later, in 1984 it was included in the National Register of Historic Places. Since 1990 it is used as a museum in honor and commemoration of the firefighters from the city of Ponce.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00001



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later on became the headquarters of the Institute of Puerto Rican Culture. El Bastión building, built in the 19th century and served as living quarters, storage, and a jail for the Spanish troops, can be partially observed on the left side of the image. The building is painted white and has parapets. The main entrance has brick arches and a relief at the top. Later, it became a self-managed cultural center by the ACirc Association (Asociación de Artistas de Circo y Artes de Calle de Puerto Rico), an association dedicated to the arts. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts are also visible in the image. The San Juan Bay can be seen in the distance, with the mountains and a coast view of the towns of Cataño, Toa Baja, and Guaynabo.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002

Beneficencia Asylum Building - San Juan (Old San Juan) - 2015 00002



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper part of the main entrance has four pairs of white Ionic columns, balconies, and green-colored wooden double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square pillars. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. Adjacent to the building is the old Insular Madhouse. This building is painted yellow, mustard, and white. It has parapets, quoins, cornices, rectangular windows, and a terracotta-colored lantern crowned by a pinnacle. This building was later known as the School of Arts and Design. The street where El Morro is located, part of Jardín Paseo de Ballajá, a water fountain, people, automobiles, palms, trees, streetlights, and boundary marker posts can be observed on the right side of the image. The Castillo San Felipe del Morro and the glacis can be observed in the distance. The masonry walls, the embrasures, two sentry posts, and a tower can also be observed.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00004

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00004



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two levels made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Parque de Bombas of Ponce distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the lateral facade of the cathedral has buttress, windows covered with storm shutters and a continuous entablature on which rests a low parapet. In addition, there are three spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, they are flanked with pairs of fluted columns that support the entablatures. The following sections are hexagonal and are decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular openings lanterns and crosses. On the surroundings you can also distinguish parked vehicles, buildings in the distance and a fence modulated by light poles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

Ramón Emeterio Betances House - Mayagüez - 2011 00006

Ramón Emeterio Betances House - Mayagüez - 2011 00006



Facede of the Ramón Emeterio Betances house in Mayagüez, also known as the five arches house. This house, made of masonry and matched lumber, is elevated on a podium. The facade has a delimited gallery with a series of mixtilinear arches elevated on paired columns. These columns are elevated on pedestals that separate the decorated metal railing with leaf and flower motifs. Above the arches and the podium panels stands out the star inside of a sphere sign. The doors are double leaf with panels, louvers and fanlights that allow the ventilation. The lateral facade is distinguished by a door with similar characteristics to the main ones, while the visible window has a grille and an air conditioner console. A gate flanked by pilasters leads to this lateral section where it also stands out a stair with an urn on the parapet. The roof is a hipped roof with louvers that allow ventilation. The house is delimited with a fence articulated with a low wall crowned with a grille and interrupted by pillars. On one of these pillars stands out a plaque with the representation of a Ramón Emeterio Betances portrait and a text. The residence surface is painted yellow and white. In front of the house there are several automobiles parked near the sidewalk. In 1865, Ramón Emeterio Betances requested a permit to built this masonry house, where he only lived two years. When he died, his sister Inés, inherit it. The house was affected by the 1918 earthquake. In 2006, the city mayor gave back the name of Betances to the street and put in front of the house a plaque to acknowledge the love Betances had for Mayagüez.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00003

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00003



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with five modules galleries on the first and second floor, additionally, it has a stair that gives access to the central module. It has Ionic order columns and railings with greatly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. There are two identical square towers with two levels, they flank the facade middle portion. Their roof are two onion domes with an evident French influence. There are two cornices that border each floor. Above the second floor cornice there is a frieze with circles and rectangles ornamentation, above the frieze there are three vase finishes. On the roof you can see the gable roofs of three dormer windows. In front of the building there is a garden with palm trees, shrubs and flowers. In the middle you can observe a circular green area with a large pot with flowers. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00032

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00032



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a symmetrical facade with a portico of five modules on the first floor, a stair that gives access to the central module. The portico has Ionic order columns and railings with iron balustrades greatly ornate. Above the portico there is a balcony that shares elements with the first floor. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor, it alternates three windows and two doors with ornamented moldings with pediment shape. The middle window is a fixed window with stained glass. It is worth to point out that all the facade arches are flat with exception of the one that is on the main door, which is a semicircular arch. Two identical square towers of two levels, flank the middle portion of the facade. Its rooftops are two onion domes with an evident French influence. There are two cornices that surround each floor. On the roof you can see the gable roofs from two dormer windows. In front of the building there is a garden with grass and shrubs. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2011 00042



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and built by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "La Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The side facade of the building can be observed. There is a flat roof with parapets, moldings at the top, and an extension of the building with eaves covered by tiles. It also has six glass windows with hinged wooden frames and a rectangular tile. It has another extension of the building with white ornamentations at the top. A parking lot with several cars, utility poles, and trees can be observed on the left side of the image. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico. Adjacent to it is the tile-covered hip roof of the Carnegie Library. This building represents the Neoclassical architecture style and was designed by Ramón Carbia Burt in 1915. The upper part of the Casa de España building can be seen next to the library. This building was designed by the architect Pedro de Castro y Besosa in 1932. It has several towers and a hipped roof and is covered in blue and white tiles. The building is representative of the Moorish and Spanish Revival architectural styles. The Capitol of Puerto Rico can also be observed in the background. This building represents the Neoclassical architectural style and is made out of concrete and white marble. It was designed by Rafael Carmoega in 1929. The top of the building has a hemispherical dome with glass windows in its drum, and a lantern crowns it. Several high-rise buildings and trees can be seen in the distance, as well as the Atlantic Ocean.

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00001

Catedral de Nuestra Señora de la Guadalupe - Ponce - 2014 00001



Lateral and rear view of the Catedral de Nuestra Señora de la Guadalupe located in the coastal city of Ponce. The cathedral has two floors made of masonry and brick with characteristics of the Neoclassic style. Right behind the cathedral you can see the old Ponce Parque de Bombas, distinguished by its polychrome design made of wood and corrugated metal sheets roof. Now then, the cathedral lateral facade has buttress, windows covered with storm shutters and a continuous entablature above which it rest a low parapet. In addition, there are two spherical domes crowned with lanterns. Aside from that, the cathedral is flanked by two belfry towers divided with entablatures in three sections. They have square bases, the second level has square openings framed with protruding moldings, crowned with semicircular entablatures and presided by balustrades. The third section shows double wooden windows under semicircular arches that at in turn they are framed with moldings, crowned with keystones and entablatures. Additionally, there are flanked by pairs of fluted columns that support the entablature. The next section of the tower is hexagonal and is decorated with cornices, moldings, a frieze with garlands and amphorae. Likewise, the domes show stained glass oculus framed with moldings. In turn, the domes are crowned with semicircular openings lanterns and crosses. On the surroundings you can also distinguish parked vehicles. The beginning of the Catedral de Nuestra Señora de la Guadalupe dates back to 1670 when it was just a royal palm chapel, it was closed in 1820 due to the bad conditions of the building. The start of the current church construction dates back to 1835 and it was inaugurated in 1839. Nonetheless, the 1918 earthquake destroyed both towers which is the reason why it had to be rebuilt with a new design between 1918 and 1937. Years later, in 1984 it was included in the National Register of Historic Places. Subsequently, it was restored again in 1992.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00001



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a decoration allusive to the Three Wise Men, a flagpole, grass, a traffic sign, and another sign about visitor entry can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00001

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2008 00001



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Labadie Mansion. You can observe one of the lateral facades of the two-story building built with fortified concrete. It has an eclectic design with influence from the Château style. The facade starts with a tower divided with cornices, on the first floor there is a window with molding and cornice, on the second floor there is another window with ornamented molding. The tower is finished with an onion dome and precedes two galleries, each one with four Ionic order columns and railings with iron balusters very ornamented. On the galleries there are double leaf doors with lattices and glass panels framed with moldings. The rear section of the facade shows courses that divide the levels and has doors with lattices and parapets with iron railings. The second floor also has a window on the rear far end. The wall borders have quoins. Above the hallway section you can see a dormer window with gable roof. In front of the facade it is notable part of the yard with shrubs, a large pot with colorful flowers and two benches made of iron and wood. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use that belonged to companies dedicated to both crops. This Hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca 2008 00002

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca 2008 00002



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. Main facade of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. It is a simmetrical facade with five modules galleries on the first and second floor, a stair that gives access to the main module. It has Ionic order columns and railings with highly ornate iron balusters. The doors and windows are double leaf and have moldings. On the first floor there are five doors with linear moldings, while on the second floor it alternates three windows and two doors with ornate moldings with pediment shape. The middle window is a fixed window with stained glass. There are two identical square towers with two levels, they flank the facade middle portion. Their roofs are two onion domes an evident French influence. There are two cornices that border each story. Above the second floor cornice there is a frieze with circle and rectangle ornamentation, above the frieze there are three vase finishes. On the roof you can see the gable roofs of three dormer windows. In front of the building there is a garden with palm trees, shrubs and flowers. In the middle you can observe a green circular area with a large pot with flowers. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and a sugar mill in the XX century, this is the only building that still in use and belonged to companies dedicated to both crops. This coffee hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La Llamarada (1935) by Enrique Laguerre.

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042

Beneficencia Asylum Building - San Juan (Old San Juan) - 2011 00042



The old Beneficencia Asylum Building (Asilo de Beneficencia) is located in the Ballajá neighborhood of Old San Juan. It was inaugurated in 1844 and designed by architect Pedro García and the engineer Santiago Cortijo. The building is representative of the Neoclassical architectural style. It is painted yellow, white, green, and brown. The main facade of the building has two rectilinear pediments, one of which has high relief in its tympanum. The upper half of the main entrance has four pairs of Ionic columns, balconies, and green-colored wooden lattice double-leaf doors with semicircular arches. The lower half has four pairs of white Doric columns with green-colored double-leaf doors and semicircular arches. These columns support an entablature that has an inscription on the metopes. The facade also has extended cornices and green-colored wooden lattice double-leaf windows framed by semicircular arches and white flat moldings. In front of the entrance is a stepped wall with railings. The building is fenced off by metallic grilles supported by various square piers. The old Beneficencia Asylum Building later became the headquarters of the Institute of Puerto Rican Culture. The side facade of the old Insular Madhouse can be partially observed on the right side of the image. This building is painted yellow, mustard, white, and green. It has parapets, cornices, and green-colored wooden windows framed with white rectangular moldings. The Madhouse later became the School of Arts and Design of Puerto Rico. In the image is visible the street where El Morro is located, part of Jardín Paseo de Ballajá, people, automobiles, palms, trees, streetlights, and boundary marker posts.

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003

The Puerto Rican Athenaeum - San Juan (Old San Juan) - 2010 00003



The Ateneo Puertorriqueño located at Puerta de Tierra in Old San Juan. It was founded in 1876 and constructed by the engineer Ramón Carbia Burt in 1923. It is the oldest cultural institution in Puerto Rico, also known as "la Docta Casa." Its architectural style is representative of the Moorish Revival style. It was nominated to enter the National Register of Historic Places in 1984. It is painted white and terracotta. The upper half of the facade has an eave covered by tiles supported by wooden corbels. It also has seven multifoil arches interrupted by eight pilasters with tiles on top. On the lower half of the facade, six pilasters support a semicircular arch and an entablature covered in tiles with floral designs. The doorway has "Ateneo Puertorriqueño" written at the top. On both sides of the pilasters, there are friezes in high-reliefs with representations of human figures sculpted by the Italian artist Arrighini. There are steps and streetlights in front of the entrance. The building also has glass windows with hinged wooden frames and a torch-shaped ornamentation in the upper right corner of the image. Trees, shrubs, a palm tree, a decoration allusive to the Three Wise Men, grass, and a flag pole can be seen in the surrounding areas. The Ateneo Puertorriqueño was founded to promote the theater, music, film, literature, history, science, the moral and political sciences, and the visual arts in Puerto Rico.

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00033

Hacienda Irurena or Labadie - Palacete Los Moreau - Labadie Mansion (1905) - Moca - 2013 00033



Hacienda Irurena in Moca, also known as Hacienda Labadie, Palacete Los Moreau and Mansión Labadie. You can observe one of the lateral facades of the two-story building built with fortified concrete. It has an eclectic design with influence of the Château style. The facade starts with a tower divided by cornices, on the first floor there is a window with molding and cornice, on the second floor there is another window with ornate molding. The tower is finished with an onion dome and precedes two balconies, each one with four Ionic order columns and railings with iron balusters greatly ornate. On the balconies there are double leaf doors with lattice and glass panels framed with moldings. The facade rear section shows string courses that divide the levels and has doors with lattices and parapets with iron railings. The second floor also has a window on the rear far end. The wall borders have quoins. Above the hallway section you can see a dormer window with gable roof. In front of the facade it is notable part of the patio with shrubs, a large pot with colorful flowers and two benches made of iron and wood. The Hacienda Irurena or Labadie was a coffee hacienda in the XIX century and in the XX century a sugar mill, this is the only building that is still in use that belonged to companies dedicated to both crops. This hacienda is immortalized in the Puerto Rican literature as the "Hacienda Palmeras", residence of the Moreau family in the book La llamarada (1935) by Enrique Laguerre.